Written by
Marcel L'Herbier
Pierre Mac Orlan
Georgette Leblanc
An impressive range of practitioners in different fields of the arts worked on the film, meeting L'Herbier's ambition of creating a film which united many forms of artistic expression. Four designers contributed to the sets. The painter Fernand Léger created the mechanical laboratory of Einar Norsen.Léger's contribution to the design of L'Inhumaine, and its relationship to his own film Ballet mécanique, is discussed at length by Standish D. Lawder in The Cubist Cinema (New York: New York )
The architect Robert Mallet-Stevens designed the exteriors of the houses of Norsen and Claire Lescot, with strong cubist elements. (-....-) To bind the whole together L'Herbier commissioned the young Darius Milhaud to write a score with extensive use of percussion, to which the images were to be edited.
Pierre Mac Orlan
Georgette Leblanc
An impressive range of practitioners in different fields of the arts worked on the film, meeting L'Herbier's ambition of creating a film which united many forms of artistic expression. Four designers contributed to the sets. The painter Fernand Léger created the mechanical laboratory of Einar Norsen.Léger's contribution to the design of L'Inhumaine, and its relationship to his own film Ballet mécanique, is discussed at length by Standish D. Lawder in The Cubist Cinema (New York: New York )
The architect Robert Mallet-Stevens designed the exteriors of the houses of Norsen and Claire Lescot, with strong cubist elements. (-....-) To bind the whole together L'Herbier commissioned the young Darius Milhaud to write a score with extensive use of percussion, to which the images were to be edited.
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